The project consists of four series of works: «Soap Clocks», «Pyramids», «Anti-casements» and «Soap Architecture». Each series reveals a facet of meaning and sets a dimension in the exploration of the trivial everyday life of hygiene. The Anti-casements series establishes an idea of personal and «enclosed» space in the bathroom. The bathtub is a special place of personal space where one is left alone with one's thoughts and one's own nakedness. Sanitary objects are silent witnesses to the process of purification and the «ritual of ablution». Soap architecture is the art of building and projecting a future that slips away and is so precarious in today's world. The process of releasing the «superficial layers»; washing away layer after layer, as if allowing us to get to the «true» self. The instruments of a clean future are depicted before us, all of them given their due attention, be they soap, taps, showers, soap dishes and soap dishes not often the artist's attention is given to these objects. Inspired by the exploration of the process of purification and therefore renewal, but in a material sense one of the tools, the soap loses its form, as if giving part of itself, sacrificing itself for the cause of cleanliness. The form of the soap, informs and indicates the changes taking place under the influence of man. If we take the disappearing soap bar out of the bathroom and into the field of visual art we can see its history, the fate of its disappearance. Disappearance introduces the category of time, for which the Soap Clock series is responsible, for different matter the effect of time will be different - in the closed white box system, two soap bars, one real, one ceramic, capable of remaining unchanged for 1000 years or more, the other ephemeral and impermanent, it is a very slow countdown clock. Time has made its adjustments, nowadays, in the context of pandemics and general isolation, man has become more careful in preserving the boundaries of his personal space, and attention to hygiene has been given a special strategic importance. Hygiene has become more than hygiene. The desire to preserve the intimacy of personal space today is forced to shift to the demonstration and depressurization of the personal environment amidst a social kaleidoscope of events in self-isolation. The artist's task remains pure and transparent, immersing himself in the environment of other people's personal space, giving visibility to trivial objects, and highlighting the special formal meaning of the tools of the pure future . The focus of attention is precisely on the function, the object, the morphological properties of these tools . Penetrating deeper into the atmosphere of the environment, there is a smell of these soap constructions — the future smells of soap. Vasily Motolyanets