Recently, a lot of exhibitions have been broadcasting the idea of the «apartment», creating decorative situations of residential apartments. The task of such exhibitions is to designate a person's living space, separating it from the public space. Building such an opposition indicates an understanding of personal space for living as a «hidden» space. Expositions of this type indicate a distrust of the function of public spaces. This is related to the political agenda, which demonstrates that we no longer own anything in the zone of the public, it should be sterile of interaction and politics. The public must become a zone of social contract, or a zone of social compromise. Again, personal space, whether in the kitchen or the living room, is called to become the scene of real action in our history. This is a retreat and abandonment of a position that culture has not been able to defend against an impending global situation, where art and culture are safe for the acting figures of power. Our interest is the possibility of seeing living space in its trivial meaning. The carpet, sofa, TV, bookcase, which are ubiquitous in exhibitions about living space, versus today's mattress on the floor, laptop, electric kettle and mountains of chargers. Our notions of «home» lag behind, as if we were living in our parents' apartment, or understanding home as our parents' home. When I visit, I see a more chaotic life, less structured - a displaced person's life. There is no desire to discover images of their homes because they do not correspond to the magazine images of living quarters. And so we see the living living only in advertisements for pictures of rooms and apartments, where each photo demonstrates a function, where there is no shame in the domestic, where the task of the photo is to show this life and its structure. There is a complete transparency in the language of these photographs, yearning not to hide but on the contrary to highlight the real space for living. In our project there is only a conceptual construct of what the house consists of - the kitchen, living room, bedroom, toilet, corridor, front door, back door. It is not an apartment - it is a blueprint of space, where each room has a function. From the diagram, you can understand each space and the strategy for working with it. One way or another, we always stand in the hallway, and the hallway is the entry point, it's the border zone, we're in the hallway and we don't know how to behave at home, whether to lock ourselves in the toilet from the housemates, or take the couch, or crawl under the bed, or run around the apartment. Each line of behavior is also possible if we consider ourselves as parasites in the apartment. The schema of creative behavior in the apartment is more easily defined than in the halls of a gallery, where space is unified in its function. The gap between ideas of the ideal «home» and the real «home» is our inspiration . It's an apartment outward, it's a house backward, it's an anti-apartment exhibition celebrating the anniversary of a temporary stay. We are investigating the question of art's relevance in the human hole or human nest, a question addressed to ourselves as residents and as artists. Semyon Motolyanets